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Bebop Spoken There

Simon Spillett: “ Bebop and hard bop came naturally to him [Tubby Hayes]". Morning Star, March 28, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 29: True Colours @ Barrels Ale House, Berwick. 9:00pm. Blues, jazz & swing.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 04: FILM: Soul @ Forum Cinema, Hexham. 2:00pm. Jazz-themed film animation.
Thu 04: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 04: Funky Drummer @ The Globe, Newcastle. 7:30pm. Free.
Thu 04: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Friday, June 15, 2012

World Service Project & Alfie Ryner @ Star & Shadow Cinema. June 14

World Service Project: Dave Morecroft (keyboards), Raphael Clarkson (trombone), Tim Ower (alto & tenor saxophones), Conor Chaplin (electric bass) & Neil Blandford (drums)
Alfie Ryner: Paco Serrano (alto & tenor saxophones, vocals), Guillaume Pique (trombone & vocals), Gerard Gimenez (guitar), Guillaume Gendre (double bass) & Loris Pertoldi (drums)

(Review by Russell).
Dave Morecroft’s World Service Project made a third visit to Newcastle and this Jazz North East promotion was the second Match & Fuse project to be heard at the Star and Shadow Cinema. Morecroft’s ongoing mission is to invite a band from Europe to play a series of double-bill gigs in Britain and secure a reciprocal tour; on this occasion the invitees – Alfie Ryner is/are a quintet of seemingly disparate musicians - travelled from Toulouse, France. Morecroft’s five piece took to the stage first and much of the music performed can be heard on Match and Fuse CDs numbers 3 and 4 and the current release (check-out Wes’ recent review on Bebop Spoken Here). WSP played it loud and rocked it. Raphael Clarkson’s big trombone sound impressed once again and front line partner Tim Ower (saxophones) played with self-assurance, so too bassist Conor Chaplin. Manic Morecroft stoked it up showering burning embers over Neil Blandford’s granite rhythms. Solos were short and few and far between, collective riffs caught the ear and won keen applause from an appreciative crowd.


French quintet Alfie Ryner (Morecroft dubbed them ‘Alfie Ryan Air’) emerged from back stage in suits (more rude boy than zoot ) and resembled a motley crew of musos – and they were, musos, that is - sporting earrings and other piercings that would have had Gene Hackman on his guard down in Marseille. Paco Serrano wore the look of a slightly deranged smiling assassin (think The French Connection or Goodfellas) yet turned out to be a big pussycat. Serrano’s vocals, in French of course, were largely inaudible due to the volume levels of the amplified band. No matter, whatever it was he told us, he meant it. He blew some alto, Guillaume Pique played some plungered trombone and Gerard Gimenez’s Fender featured heavily - effects and all. The material was Gallic and varied (a tango worked well) and the drum and bass team of Loris Pertoldi (drums) and Guillaume Gendre worked tirelessly. Gendre was, ostensibly, the ‘jazz’ player in the line-up, yet, surely, all could turn their hand to straight ahead material. The now familiar Match & Fuse finale united the two bands - British and French musicians on stage together – to play two numbers. The first, led by Morecroft, reworked Sweet Time, a tune written by Matt Jacobsen (drummer with Irish band ReDiViDer and former collaborator with WSP). The Toulouse troupe read their parts with smiles all round. The closing number - an ‘instant composition’ or as Serrano would have it a ‘sound painting’ – took the honours by a mile or should that be a kilometre? The big pussycat leapt down from the stage to the floor of the auditorium to conduct the piece. No baton just innumerable hand signals. This time the Brits had to concentrate. The legendary George Russell had an idiosyncratic style directing his big band, similarly Chris Sharkey’s commands with Jambone are somewhat unique. The committed Serrano (perhaps he should be) worked-up a sweat and boy, he had the double quintet in a sweat. Some how he pulled it off.
Russell

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