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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Monday, July 23, 2012

Montreux Jazz Festival 2012. Triple Bill July 11.

Fourplay:Bob James - Piano, Nathan East - Bass, Chuck Loeb - Guitar, Harvey Mason - Drums.
(Review by Ron Ainsborough).
I recently checked out Fourplay on Spotify and most of it was classed as 'smooth jazz'! But, when you see them live in a festival situation, forget 'smooth jazz', they played the most exciting 'straight-ahead jazz' as good as you're likely to hear. Tight arrangements, musicianship and improvising were out of this world, and the exchanges between all four 'players' were exceptional. Wonderful improvising constantly going on. In other words, I think they are a 'fantastic band' to see live, playing everything you would want to hear at a Jazz Concert.
I didn't catch the titles of the pieces played, although some of them were quite familiar. A great start, and Herbie Hancock on next!

Prior to Hancock's set, he had had the honour of presenting Tony Bennett with a 'peace award' certificate from an 'Arts organisation' of which Hancock, along with Wayne Shorter, he is joint President. Overlooking proceedings from the side of the stage was non other than the great Quincy Jones who also said a few words.
Herbie Hancock and his band: Herbie Hancock (Piano + Kong Kromos sythesizer + Roland AX synth (strap on keyboard in the shape of a guitar)+ Vocoder (which sounds like Stephen Hawkins (to my ear) when Herbie sings into it, and it can also be set to give multi vocal harmonisations) - Lionel Loueke  (Guitar), James Genus (Electric Bass), Trevor Lawrence Jr (Drums).
It's a long time since I've heard any of Herbie Hancock's music so I didn't know what to expect although I was aware he was into electronics. The musicianship was outstanding but I was mistakenly expecting a fair amout of jazz piano, but most of the set was electronic. Even the guitar sounded like a sythesizer at times and I couldn't differenciate between that and Herbie Hancocks synthesizer. Don't get me wrong! I did enjoy quite a lot of his set, and realise that if I had done some research I'd have been more prepared for the electronic onslaught. He did play one extended piano solo, which was great, but spent most of the set playing his strap on keyboard. Hands up, I know I'm the one out of step with his many ardent fans -their was certainly a lot of them in the audience enthusing over, which I did but to a lesser extent.
On a personal note!. When you take your wife, daughter and son-in-law to jazz concerts (who are on the jazz periphery but at the same time like and enjoy the lighter accessible jazz music, eg Sonny Rollins, Chucho Valdes) on your recommendations and this kind of music is played it can, I might add, make the likelihood of them joining me at the next jazz concert somewhat unlikely. As it turned out, they liked being in the Hall savouring the atmosphere of The Festival.
'Sergio Mendes & Brasil 2012' (yes the same man of Brasil 66 fame).
We only saw the first 30 minutes of this set and left at 1.00am because some of us had work in the morning, but the band and singers were really good, the arrangements were excellent ,with lots of anecdotal stories from Sergio Mendes about Jobim and other composers back home in Brasil. It was an extremely enjoyable concert by people at the top of their game giving impeccable renditions of every song they sang/played. 
The following is meant as a compliment, as it would be fare to say that, 'Sergio Mendes & Brasil 2012'  -''it does what it says on the tin'', they were so professional,and obviously The Girl From Ipanema was sung together with lots of other delightful music. First class band! well worth seeing any time.
I also had the good fortune to go on a 'Brazil Music Jazz Boat' (Sat. 7th July,afternoon) sailing around the lake for 3 hours, it had two 6 or 7 piece bands actually from Brazil, playing two one and a half hour sets, but unfortunately I was unable to find out what they were called, but the standard of musicianship and singing was brilliant although it is difficult to understand the lyrics when it is all sung in Portuguese, but a fantasticly enjoyable experience  for us all just the same.
The Montreux Jazz Festival is in its 46th year (Herbie Hancock was making his 26th concert this year), and if possible I will certainly try to go again next year. It's  a fantastic experience!
Ron Ainborough 

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