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Bebop Spoken There

Alicia Hall Moran: “I would go to hear Jason's band play and I'd say "Y'all hot!" But they came out wearing these casual, saggy outfits, putting music out with these not-attractive outfits like they were going on interviews for jobs they didn't want.” – (DownBeat May 2018).

Shabaka Hutchings: “You have to get the funding to come here [New York], and then there's getting the proper visa to play, which costs more than we get paid.” – (DownBeat May 2018).

Today Thursday April 19

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Student Performances - King’s Hall, Armstrong Building, Queen Victoria Road, Newcastle University NE1 7RU. 4:00pm. Free admission. Performers include Ada Francis (voice); Simon Hirst (trombone) & Harry Still (drums).

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. Tel: 01325 463262. 1:30pm. Free.

Evening

Paul Edis Trio - St James’ & St Basil’s Church, Fenham, Newcastle NE4 9EJ. 7:30pm. £6.00.

Indigo Jazz Voices - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00. Vocalists with Alan Law Trio.

Ada Francis & the Italic Quartet - Las Iguanas, Grey Street, Newcastle NE1 6AF. Tel: 0191 232 9729. 7:30pm. Fortnightly restaurant residency.

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

The Strictly Smokin' Sessions - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:15pm. £8 (£6 conc.). JNE. Small groups from SSBB.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club Guest Band Night w. Paul Donnelly Trio - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free. Donnelly (gtr); Stu Collingwood (keys); Paul Smith (dms).

Jazz Night - Musiclounge, 21 Yarm Lane, Stockton TS18 4DR. Doors 7:00pm.

Ubunye - Whorlton Village Hall, Barnard Castle DL12 8XD. 7:30pm. Tel: 01833 627253. £10.00. (£5.00. child, £25.00. family).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 14, 2013

CD Review: Pat Metheny – Tap: John Zorn’s Book of Angels Vol 20

Pat Metheny (guitars, sitar, tiples, bass, keyboards, orchestrionics, electronics, bandoneon, perussion, flugelhorn), Antonio Sanchez (drums, percussion)
(Review by Les)
Back in the nineties, John Zorn wrote 500 tunes inspired by traditional Jewish music.  This became known as Book One of the two volume work that became known as The Masada BookBook Two consisted of 300 tunes and was written in three months.
Over the past eight years, the tunes from Book Two have been recorded as volumes of The Book of Angels by a number of world-class musicians.  Volume 20 is a selection of six pieces recorded by Pat Metheny, assisted by his oft percussionist Antonio Sanchez.
Metheny’s interpretation of the pieces chosen culminates in a very varied and rich body of work, although generally there’s a strong, Middle Eastern “common denominator” running throughout the album.
It’s hard to believe that Tap was recorded by one artist, such is the diversity of the individual pieces, both in terms of composition and instruments/soundscapes used; from the sitar-dominated opener of Mastema, to the obviously “acoustic-Metheny” of Albim, concluding with a piano/drum chaotic cacophony Hurmiz.  In between there’s wild, abstract, heavily-distorted guitar soloing, complex and very precise rhythms and melodies, spiced with sounds and scrapings of…who knows what.
Despite the diversity of the pieces, as a body of work it all hangs together remarkably well.  It’s not background music; it has to be listened to, and it’s far too complex to be able to take it all in in one listen.  I’ve been through it a number of times now and it continues to reveal itself further with each play.
Whilst there are times it’s obvious who the main protagonist is, this isn’t your average, run-of-the-mill Pat Metheny album.  That said, the playing oozes his class and quality from start to finish.
I like this album on a number of levels; from the standpoint of a (one time) guitarist, from the standpoint of being a fan of creative jazz and from the standpoint of occasionally wanting something very different to listen to, to clear and refresh a sometimes tired listening palette.
Invest some time with it at the outset and you’ll enjoy return visits forevermore.
Pat Methrny: Tap released May 21, 2013.
Les.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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