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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Friday October 20

Afternoon
Rendezvous Jazz - The Monkseaton Arms, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.

Hand to Mouth: Lindsay Hannon & Bradley Johnston - Bishop Auckland Town Hall. 1:00pm. £5.00.

Vasilis Xenopoulos & Paul Edis - Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SE. 1:00pm. £5.00.

Evening
Julija Jacenaite & Alan Law - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.

King Bees - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Traveller’s Rest, West Auckland Road, Cockerton, Darlington. DL3 9ER. 8:30pm. £10.00. Opus 4.

Hot 8 Brass Band - Northumbria Students’ Union, Sandyford Road, Newcastle NE1 8SB. Tel: 0191 227 4757 (SU enquiries). 7:30pm. £20.35.

Twin Beam - Hidden Heights Creative Studio, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Beth Macari - Prohibition Bar, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Sting - Bamburgh Castle. 7:15pm. Tickets: £250.00. & £150.00. Acoustic. Charity gig.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, August 01, 2017

CD Review: Sam Braysher & Michael Kanan - Golden Earrings

Sam Braysher (alto); Michael Kanan (piano).
(Review by Lance).
The duo format is becoming ever increasingly popular with both players and club owners although not always with the listener. In these times of austerity, two musicians cost less than 3, 4 or 5 which appeals to the person behind the till. For the musicians, duos need minimal, if any, rehearsals or special arrangements. Newcastle's Jazz Café was one of the first in the area to adopt this policy and, most of the time it worked although sometimes it didn't and it had to be a pairing of the regions finest to hold the attention of the Friday night crowd.
On the evidence of this album, I think Braysher and Kanan may have managed it. Unfortunately, their itinerary indicates that their tour stops short in Leeds before turning tail and heading back down south (if it's any consolation they aren't doing Clitheroe either!).
Both musicians are new to me. Braysher graduated from Guildhall where he was an Artist Fellow and a Chartered Surveyors' Prize winner. His cv includes gigs with Jorge Rossy, Barry Green, Pete Hurt, John Warren's Nonet and the London Jazz Orchestra.
His co-pilot here is leading New York pianist Michael Kanan and the album was recorded last year in Brooklyn for the Barcelona based Fresh Sound New Talent label.
Braysher's tone is similar to early Lee Konitz perhaps even lighter if that were possible. He floats in an ethereal sort of way. He's a dancer more akin to the ballet than, say, a Broadway hoofer. Kanan's also a Dancing Dan his lines weaving and entwining with his musical soulmate. Not surprisingly, given the Konitz vein, Lennie Tristano isn't far away - George Wallington too. Contrapuntal, Bach on 52nd St.
Bird's Cardboard has both men 'blowing' out and out bebop unison lines playing the complex head as one.
"Gentlemen, take your partners for the next waltz" the MC or the bandleader commands and the males escort the lady of their choice on to the dance floor where the band might play an Irving Berlin Waltz Medley which is exactly what happens here - an Irving Berlin Waltz Medley comprising; What'll I Do, Always and Remember. It's quite delightful although I'm not sure if Victor Sylvester would have approved.
With the exception of an original by Braysher (BSP), a piece by Duke and another by Tadd Dameron the bulk of the material, like so much classic jazz, is from the GASbook. Braysher and Kanan tried not to be influenced by previous jazz versions preferring to study the sheet music and popular recordings of the songs in an attempt, he says, to get into the composer's mind.
Dancing in the Dark; Cardboard; Berlin Medley; BSP; All Too Soon; In Love in Vain (Kern & Robin from Film Centennial Summer); The Scene is Clean (Dameron); Beautiful Moons Ago (Nat Cole); Golden Earrings; Way Down Yonder in New Orleans. This latter piece, Braysher says, contains a harmonic surprise towards the end. Must listen to it more carefully next time I visit one of the Trad watering holes. Braysher and Kanan provide a surprise of their own by playing, in unison, Lester Young's 1938 solo on the Kansas City Six's version of the same tune.
Recommended!
Lance.
Available Sept. 1, Launch at the Vortex Sept. 13. FSNT 1007.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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