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Bebop Spoken There

Kathyrn Williams: “I got into Miles Davis when I was a teenager. But I’m nowhere near as knowledgeable as Anthony [Kerr]: he is an encyclopedia of jazz, with a real in-depth, academic knowledge. I’m just a fan.” – (Jazz Journal December 2017).

Christian McBride: "He [Horace Silver] was the whole package" – (Downbeat September 2014).

Today Thursday January 18

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

‘The Death Beat - 1920s’ US immigration policy’ - City Library, New Bridge St, Newcastle NE1 8AX. 6:00pm. Free. Novelist Fiona Veitch Smith talks about her research into the period and its resonance with today’s political landscape. The Death Beat is Veitch Smith’s third novel in her series Poppy Denby Investigates.

Jambone - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. 7:00pm. Free but ticketed.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE. Tel: 0191 488 8068. 8:30pm. Free.

Tees Hot Club w. Kevin Eland (trumpet); Jeremy McMurray (keys); Danny Allan (sax). - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, August 12, 2017

Stu Collingwood Trio @ The Globe August 10

Mo Scott (vocals) Stu Collingwood (organ); Lloyd Howell (drums)
(Review by Ann Alex/Photo from Jazz Coop archive)
This was advertised as a duo, but Mo came along as well, I’m pleased to say. I encountered Mo many years ago as a blues singer but she’s always been familiar with standard jazz songs, and she excelled with the Gasbook last night, giving a rather more raunchy style of interpretation than is usual. Stu explained to me that his organ/keyboard needed only a light touch to play multiple notes very fast, but maybe he was being modest as his fingers flew over the keys and chords like forked lightning, and his feet danced on the pedals, entrancing to watch. And the drummer held all the rhythms together like the master that he is.
An instrumental first, Back To The Chicken Shack, keys skittering, then staccato, then making an almost human laughing sound; next came Groove Merchant, up, down and around the scales. Up stepped Mo to tell us that she Don’t Get Around Much Anymore, then a suitably spirited Fever; she called out to ask Lover Man, Where Can You Be? I think she must have located lover man, as her next song said Squeeze Me. There followed Tell Me More And Then Some and Love Me Or Leave Me. Followed by an instrumental of Georgie Fame’s first big hit Yeh, Yeh, to round off the first half.

An instrumental opened the second leg,  Jimmy Smith's The Cat, then came Weather Report’s Mercy, Mercy, Mercy.
I could hardly stop myself from singing this as we did it at a Sage Jazz Co-op workshop a few months back – I kept quiet and the audience last night didn’t realise what a lucky escape they’d had! Mo returned to the stage for Mean To Me; a sensitive But Beautiful; Lover Come Back To Me. Then my current favourite song, You Don’t Know What Love Is; Route 66 (loud chock sounds from the drums, followed by a drum solo); Duke’s In A Mellow Tone and Ready And Able from instruments only. Mo returned for God Bless The Child; Georgia; Unchain My Heart (a little dance of enthusiasm from Mo); a very bluesy Love Me Like A Man. All stops were out for the final number, Booker T’s Help Me (I Can’t Do It All By Myself).
A good time was had by all.
Ann Alex

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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