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Bebop Spoken There

Béla Fleck: “ And that's the great thing about live performances, you take people on a journey. It doesn't have to be like something else they've heard. It's not supposed to be". DownBeat, April, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 28: Richard Herdman Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (alto sax); Alan Marshall (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Graham Thompson (keys); Steve Hunter (drums).

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Friday, October 13, 2017

Binker & Moses @ GCT Jazz Club - October 12

Binker Golding (tenor saxophone) & Moses Boyd (drums)
(Review by Russell/Photos courtesy of Ken Drew).
(More photos)
They strolled out, unannounced, to a muted, but not indifferent, reception. Gosforth Jazz Club’s biggest audience yet, comprising graduates and undergraduates from Durham University, Sage Gateshead and Newcastle University and many others there to hear the current hot pick wasn’t
to be disappointed. Binker and Moses were in town and, for now, they can do no wrong.
Afterwards, walking to the Metro station, a young piano player of Jazz Café jam session renown remarked that tenor saxophonist Binker Golding has an amazing tone. Absolutely right! Golding can play, no question about it – as a member of Zara McFarlane’s band at Sage Gateshead the Tomorrow’s Warriors’ alumnus made a big impression. McFarlane’s drummer on that occasion? One Moses Boyd. The Londoners can play, big time! This stripped back tenor saxophone/drums set held the attention throughout. The duo have recorded two all analogue, all valve, albums cut on vintage lathes. This Gosforth gig held true to their ‘first take, no edit’ approach.
Binker stood side-on, looking directly across the stage at Moses ensconced behind his kit. Tenor sax and drums, full on, uncompromising yet accessible. Tracks from debut album Dem Ones (the vinyl is frequently on your reviewer’s deck) and Journey to the Mountain of Forever featured in the hour-long set. Binker’s tenor ratcheted up the tension, Moses’ immense technique propelling them  to ever-greater heights, one inspiring the other. Their musicality shone through, skillfully avoiding meandering, soul-less improv workouts. A calypso featuring Binker’s light as a feather tenor would have had the great Sonny Rollins dancing on the spot. Moses’ performance from beginning to end was a masterclass; groove, drum ‘n’ bass, a kicking bass drum recalling Elvin Jones and a hi-hat feature right out of the Max Roach book of percussion!

Archipelago: Faye MacCalman (tenor saxophone & clarinet), John Pope (bass) & Christian Alderson (drums)

Earlier, Tyneside trio Archipelago played a support set featuring material from their shiny, new CD Weightless. Describing themselves as ‘alt-rock-jazz’ the trio played numbers familiar from hearing them live and this GCT set went down well with a constantly growing crowd. Eye contact between the three musicians signalled agreed changes; Faye MaCalman’s tenor, never braying, steered a course which encouraged bassist John Pope and drummer Christian Alderson to up the ante; the ‘rhythm section’ revelling in being let of the leash, JP jumping on pedals, switching direction at will with Alderson all over it. Red Giant opened the set with the amiable MacCalman for the most part playing tenor. More Bamboo, Less Pandas rocked out and it was the eponymous Weightless with MacCalman opening on clarinet which offered a different perspective on Archipelago’s developing sound world.                                    Russell

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